P_traporder=1000 p_trapfreq=1 p_trapcenter=0/0 p_trapdrift=0/0 P_trapshape="astroid" p_trapcolor="distance" p_traptype="closest" P_gausscenter=0/0 p_radialmode="kaleidoscope"įilename="dmj.ucl" entry="dmj-Trap" transfer=arctan repeat=yes P_trapiter=10000 p_trapskip=0 p_gauss=0 p_gaussr=0 p_gausss=0 P_angle=0 p_anglestep=0 p_skew=0 p_skewstep=0 p_trapstart=0
P_traporbit=0/0 p_movetrap=no p_aspect=1 p_threshold=0.1 P_traporder=100 p_trapfreq=1 p_trapcenter=0/0 p_trapdrift=0/0 P_trapshape="astroid" p_trapcolor="distance" p_traptype="first" Select and Copy (Ctrl-C) these parameters to the Clipboard.Ĭaption="Drop Shadow" visible=yes alpha=noĬenter=-0.0584953912343803845/0.0584120661022083095įilename="Standard.ufm" entry="Mandelbrot" maxiter=1įilename="dmj.ucl" entry="dmj-Trap" transfer=log repeat=yes This is the drop shadow layer provided in the original tutorial. This will permit you to make changes to another layer without affecting the primary image layer. Also, click on the Layers tab and click on the little magnifying glass icon to "grey it out".
EXTRA BORDER AROUND ULTRA FRACTAL WINDOWS FULL
This is a convenient size and will permit you to arrange the Properties boxes and Gradient for full visibility. To begin with, set the image width to 500 and the height to 400. A fractal with image elements all the way to the edges is best as some effects depend on partial transparency and you won't see them if there is nothing underneath but black. The easiest way to follow along with this discussion would probably be to open a fractal. Fortunately for us, it isn't necessary to understand all the whys and wherefores - only that it is possible to exert a fair degree of control over the final results. The basic effect relies on the way traps affect fractal images. Some of these effects would be difficult, if not impossible, to duplicate by conventional means. Simply put, you can create the illusion of elaborate matting and framing with so little effort that it borders on the unbelievable. A little experimentation with that layer in an attempt to understand how it worked revealed that a surprising, even astonishing, range of effects could be achieved with very little effort. In her tutorial on the use of transformations that permit creating areas of transparency, Janet Parke introduces the idea of a "drop shadow" effect and provides the parameters of a layer to add that effect to any desired fractal. Ultra Fractal Tutorial - Matting and Framing
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